Two Cool Techs for DOOH: The AMOLED Prototype & ASUS ‘Seamless Experience’

This and Vid via Engadget

This AMOLED pic and the Vid below via Engadget

Kinda like MSFT’s Surface. But when companies start looking into certain technologies; the tech’s gotta be pretty close to reality/everyday.

Pictures and videos speak (or write) a million words…


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2 comments June 15, 2009

“Iconic” / Times Square Signs and No Crazy Cabbies = Still One of the Best DOOH/OOH Inventories in the Sector

Photo Cred: www.dvorak.org

Photo Cred: www.dvorak.org

Clear Channel recently announced their new Time Square “Iconic” Digital Billboard that is to show the 500K+ daily visitors in the area that, well; they have indeed arrived at Time Square! A nice little integrated campaign with the web and the sign to introduce the new sign to the world as well, which is always great.
Time Square serves as the key inspiration for starting my interest in the biz, and recently going into a meeting with Viacom, it was also a great chance to really look around and gather some thoughts. The landscape has changed so much in the recent years; from printed billboards, to digital, from energy burners, to signs using green tech, but one fact still remains, which is that the these billboards probably still represent some of the best inventories in the business. All the signs still seem to be bought out, and if you look around Time Square even today, it certainly doesn’t have seem to be effected by this recent crushing recession that most are going through.
Another recent development was when the City of NY officially blocked out vehicle traffic around the area, and placed chairs all over the area so visitors can sit around and relax without the worry of getting run over by one of the crazy NYC cab drivers (although this change may not be permanent.. but hopefully it will be). What this simply means is: more Dwell Time around these signs, and it’s fair to assume that recent research for this media holders will come back with more favorable results. You put 500K+ daily visitors + increased Dwell Time – a certain? percentage for impressions (disclaimer: this is Not the exact metric for this kinda thing), and you still get one of the best inventories in the biz.
Entertaining and engaging the audience with this increase dwell time?
That’s another matter, but content and media integration is probably the obvious solutions. Something to the effect of, oh, I don’t know; tying in mobile, gaming, and a huge digital sign maybe?? Locamoda, anyone? :)


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1 comment June 15, 2009

A 2D Boy in a 3D World: The History Channel 3D Storefront Campaign

Well, it wasn’t long ago where the discussion pertaining to 3D technology ran rampant on Twitter with the DS / DOOH crowd, and one of the ultimate point was that the “fact” that people would need 3D glasses with them in order to get the full effect was the biggest hindrance. But what IF people didn’t need the glasses?? 

This seems to be the case with the new History Channel (love the channel) Out of Home Campaign executed by Pearl Media and History’s agency Horizon Media, one of the top agencies in the game today. Running through June at 521 5th Ave and 382 W. Broadway in NYC, the campaign is promoting the channel’s new show, “Expedition Africa,” which also looks to be an interesting program. 

And this is an example of how fast this particular media sector that is OOH and DOOH are changing. Only a few weeks ago, the concept was deemed “Not Valid,” but a company come along to create a solution that shatters the previous notions in a matter of few weeks later. Alioscopy also conducted a similar (but smaller in size) campaign with Digital Signage, which the video describing their technology is posted on the JOOHtv section. Looks like those unbelievers; including myself, were just “2D boys in a emerging 3D world.” 

The details / press release of the History Channel campaign is here: Pearl Media Launches First-to-Market, All-Emcompassing, 3D Storefront  This is something that was forwarded to me by a friend at Pearl Media on 5/19, and told not to release til the next day. Since then, there has been a Lot of press that beat me to a pulp in terms of the speed of getting the news out, so for a startup; their PR power and the campaign are Indeed strong.


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1 comment May 29, 2009

MIT’s Futuristic Bus Stop Design Makes Digital Out-of-Home Drool

SENSEable 3Those whom know me well out there know quite well how much of a sucker for technology I am and like to think as a futurist in many things including media. This is a site based on OOH and DOOH, but when a glimpse into the future comes along (whether it be a concept or not); it is very exciting.

It wasn’t long ago (last week actually), when I was discussing  and suggesting similar technologies and visions with a certain someone working on a very relevant / similar environment. He is also a futurist in my eyes, and dubbes himself a geek at times (probably why we got along right off the bat). He shared the vision I had, but being more experienced than I, stated that the concept I suggested was too expensive to execute. Ah.. budgets.. But it always great to get confirmation that you are conceptualizing the right way, and by MIT, no less.

And well: Here it is! A vision of a DOOH future! A bus stop with projection, network, and interactive capabilities! The mother of all public transportation stops with perfect information distribution capabilities. Public transportation is likely to be around in the future, and as are the “eyes” outside the home, so this all bodes well for this particular environment. Special thanks to @saaze & @JohnRyanGlobal for bringing this to my attention! For further details on the project, go here: EyeStop. Enough talk; pictures speak a million words.

SENSEable 1

SENSEable 2

SENSEable 5


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1 comment May 28, 2009

Just OOH Does the Hamptons: The Axe Lounge

The summer is upon us, and Memorial weekend tends to kick start the season for many of us. I was fortunate enough to be out in the Eastern Long Island region that is the oh so fancy Hamptons last weekend.

The place I was staying at was a 10 minute drive to what the Hamptons veterans call “Dune;” one of the more well-known and visited night clubs in  South Hampton. I actually first heard of this campaign from my father, who is 70, and then from some of my friends, so the word was already out on Axe’s sponsorship of the club for the summer. Word of mouth.  

Then a friend of mine and I went there last Saturday night, as it is one of our usual “pit stops.” When we parked the car; the ticket had “Axe” on it, as soon as we walked up the stairs, an entire wall by the entry was branded “Axe,” and the DJ booth, which was actually difficult to see with the crowd surrounding it, was also indeed branded “Axe.”  Altogether, hard to miss; and simple Out-of-Home media tactics.

Then we ran into a very old friend of ours Mike Heller. He’s the CEO of Talent Resources, and a veteran in the “scene.” You want Paris or Lindsey to show up to your event, I suppose he is your man. He didn’t mention anything about he’s involvement in this particular campaign, just that he had to be there because he brought someone famous (I forget who now, because of adult beverage reasons & celebrity appearance/media?); we actually all left after a few minutes to go to another place. But as I found out today from Axe Body Products Puts Its Brand on the Hamptons Club Scene, he was the mind behind it. In this NY Times article, a  business strategy consultant states that the audience is not right for the Axe brand, but I beg to differ. The place was crowded with youngsters to the point that we (Very early 30s) felt somewhat old. I also know exactly who Axe targets, as I worked on a Monster RFP for them just last year, and the targeting and environment seemed to perfectly fit the bill in terms of what Axe is seeking.

Anyway, kudos to an old friend (who I sent a what the hell? email to today:) ) for what will seem to be a great campaign with a mix of Out-of-Home, event, and celebrity marketing; and you simply got to write a post when an old friend makes it on the New York Times.


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Add comment May 28, 2009

Digital Haiku

Photo won at a gentlemanly game of poker from DailyDOOH.com

Photo won from a gentlemanly game of poker from DailyDOOH.com

Twitter’s great, and digital signage is great. Integrate social media and Dightal Out-of-Home; even greater. Let people get use their Haiku writing skills  to bring unique user-created content to a big digital screen? The icing on the cake.

Titan Twitter First (For London At Least) reports that the OOH giant, Titan Outdoors, created a campaign where consumers can create their haiku poems and submit them via Twitter. As mentioned, not the first time Twitter is being incorporated into the Digital Out Of Home world, but it is certainly another excellent example of how different medias; in this case, social and DOOH medias, can be integrated to create a unique and fun campaign. Content creative costs have to be pretty low as well. Want your Haiku to run on a large digital sign at Kings Cross Station in London? Then submit your Haikus via your mobiles (or otherwise) to @kingsplace between May 18 to May 22. 

An excellent concept!


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2 comments May 18, 2009

The Game Equation: Videogames + Digital Signage = Effective Engagement

You don’t become one of the most well known brands in the world and history from nothing. The recent Coca-Cola Israel campaign utilizes videogaming and digital signage in a way that has not quite been seen in the industry yet, or at least to my knowledge. The theory is simple: use the effective ability of videogames to engage the consumers, and digital signage as the communication platform; actually in this case, as the controller as well!

The result? Just look at the crowd of people waiting to try it out. REAL Impressions. 


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Add comment May 18, 2009

In Out of Home/Digital Out of Home: Goliath Beats David

Illustration by Genzoman             

Illustration by Genzoman

In an ever-changing landscapes that is the Out-of-Home and Digital Out-of-Home; developments, strategies, options, rules / requirements, as well as the overall perceptions on the industries are changing rapidly. This is expected in any developing media(s) and industry.  

But sometimes, the internal beliefs remain stagnant in reinforcing past (mis)perceptions, and do not adjust fast enough to keep up with the changing environment, and hinder the development of long-term opportunities in the OOH and DOOH worlds. 

For the past few years, I have been fortunate enough to meet many individuals in the OOH and DOOH sectors; whether it be on the network owner/operator, or the agency-sides (not to mention content, and software developers/providers). There are a lot of “goods” that comes within these individuals and organizations, and that is a fact. But in particularly consulting for what are considered “smaller” network owners (or startup networks) recently; there is also one prevailing and consistent fact that seems to be “understated” within certain parts of the industry, which is the fact that “the size of a network does Really still matter,” and size of the network can determine whether a network can survive long enough to either get off the ground and have time to realize its potential, or simply placed into the “archives” of OOH/DOOH history. The philosophy that smaller networks are not worth the time is simply unfortunate, and those who believe in this narrow sighted view could be missing out on a huge revenue source in the long-term.

The Overall Industry Perspective: The hidden rule of “50+ locations”: For those who know me well; you know my uncompromising perspectives in the OOH and DOOH sectors and medias, and also know that I know of this particular perspective quite well. For the “unfamiliars;” through my experiences, I have seen numerous networks start from scratch, as well as existing ones develop into larger and well known networks in the industry. Developing networks is one of the more exciting aspects of the industry, and highly enjoyable, but there are times where the prevailing thought seems to be that that networks that are at the startup phase; or are under 50 locations (or even a 100 locations for that matter), are simply not worth the time to help develop/represent, or plan ad/marketing campaigns in. This is fact, especially when listening to the difficulties that several network owners in OOH and DOOH are facing in the current environment, and talking to the various operators as well. The general perspective of Quantity Over Quality is certainly unfortunate. 

A Quick “Case Study” of The GameStop Network: The OOH/DOOH network at GameStop, the top videogame retailer in the US (perhaps the world), is one of the all time favorite networks, both professionally and personally. Even what is now know as GameStop, started as one shop selling software and videogame in Houston, TX, in the early 80′s (then known as Babbage’s). Then through m&a involving Dalton’s, then Barnes and Nobles later, it was known as Software Etc., then as GameStop just about 10 years ago. Like most franchises, the retailer grew location by location. Even in the recent years, GameStop’s network was largely an OOH/POP-based network, where the In-store programming (DOOH) was still at its infancy and no where near where it is today / where it will be heading in the future. This was also before EBgames and GameStop merged together to build a location count of 4,000+. 

The key point is; certain brands and agencies were STILL strategizing and buying media at Software ETC. and GS/EB at their OOH/POP phases, and when it was still at a fairly small location count years ago. Coming back to the past couple of years, duing the media planning/strategizing/buying processes on both the agency/brand and operator sides, there were numberous “smaller” and regional campaigns that always seemed to be the easier “sell,” especially in terms of price and effectiveness. In fact, the practice has been to respond to RFPs with strategies that proposed national and regional levels, as well as a mix of both that spreads out the different media products that are available within the network, which included POPs, DOOH, Web Media assets, and even some mobile options. Of course, demand did ramped up as the EB and GameStop merged and the DOOH network grew as well. But the final point is: even a monster network such as GameStop has gone through the “small” network phase at one point, and is a network that many have fought to represent.

One may ask, why would brands and agencies buy campaigns at the smaller levels, or just a few locations in such a network that has a national (and at times, international) coverage? – It is due to the intelligent insights of certain decision-makers that go beyond the location count, and considering the more important factors such as the fit of the demographics/reach, and as well as the cost/price of the overall campaign(s) in order to deploy their marketing budgets as effectively as possible. As stated before, regional/smaller campaigns are usually the easier sell most of the time, especially with an emerging media, and agencies and brands often ask for and desire, then ultimately decide on the smaller option.

Of course, the brand name certainly helps, and GameStop does have a strong one as well as a very focused demographic that brands and agencies seek, but the above has been the case with much smaller networks, and lesser known franchises/businesses as well. Personal experiences has served as proof that brands and agencies have approved multi-million dollar campaigns (with annual renewals, no less)  in networks that were less than 200 locations, where 30% to 40% of the budgets were dedicated to less than 50 locations that were considered the “critical” markets or DMAs. It has been more of the case where successful development in terms of integration of medias and opportunities; even at small amounts of locations, that have recieved the buget approvals, rather than a simple location number game. 

Loyalty/stake is also an factor: for the lesser known or startup networks, some have apparently been more than willing to offer a stake in the company once certain certain (and fairly reasonable) conditions are met. Even with such offers, network owners still have a difficult time getting agencies / brands / operators to give them the light of day. There was a post about Customer Service on this site before, and in the OOH/DOOH world(s), the networks/owners themselves are critical customers in conjunction with the brands and agencies in this business; especially for operators. Perhaps even more so for the operators, as networks directly correlates with the operators’ media / network inventory. Any savvy business knows that the ultimate goal of customer service, and CRM, is to build long-term relationships and trust. In this sense, in bypassing a small or startup network due to the current size, and without serious considerations to the quality of the network,  media, and the potential(s); such simple views can certainly be a detrimental business decision, and a mistake that is very regrettable down the line. 

The Supposed Agency/Brand Perspective-Myth: Networks owners who are attempting to do the ad sales themselves, and network operators know the challenges and demands related to getting the agencies to make the buy. There are indeed many, but this is expected due to the fact that the media/industry is still considered an emerging one; especially in the DOOH front. As stated many times on this site; it is the agencies and the decision makers’ (at the brand levels) jobs to justify and protect the marketing budgets; at least for the good ones. But as stated above, it has rarely been the case where the size of the networks was the ultimate factor, but rather, the price that is being requested. This is where the coverage of the OVAB Digital Media Summit and one of the statements that Chris Harder of Starcom made really hit home when he stated, “We need incentives (read price reductions) to help us sell DOOH into our clients.” In many cases, priceing structures/strategies may relate more to the rejected RFPs than any other factors/challenges, with measurement probably being the close second. The issue of pricing also resonates in personal experiences of developing initial rate strategies, ad sales foundations, and later proposing them. Simply put, agencies want the RFPs to be approved as most make a percentage off the media buys, and brands do want to market their brand and wares; just at the “right” price. This is also where startup / smaller networks can be advantageous, as they tend to have smaller expectations in terms of media rates as they are more focused on getting the campaigns in, and to get the network more on the “radar.” Again, agencies and brands also do breaks down regionally/locally many of the times; so the overall myth that they consider the network size as a critical factor is simply false; although some still do have the “network is too small,” and some networks just do not have the quality factor, regardless of their size.

For the Network Owners: At the end of the day, the simple reality is that it is difficult to cover all brands and agencies individually or with a small staff, which is why the network operators become the best option. Great network operators have the experience, knowledge, contacts, and sales force to not only generate revenue for the network, but also know how to develop the network itself and grow it. Many have recently expressed frustrations, and unfortunately, the down economy has effected the small networks the most in many negative ways. The question of selling or merging has become a common topic that has been asked much recently, but “merge to grow” personally seems to be the smarter strategy for the long-term. Of course, meeting half way, or even all the way (if the other network has the better quality/features) may be required, but this is most likely to benefit your network more than harm it.  Create at least the illusion of being a larger network, then operators and agencies/brands will be easier to approach, and the revenue is bound to come if factors such as demographics, media offerings/options, metrics, price, and major markets are covered and the network is high quality overall. A recent personal victory has been serving a key role developing a 20 location network, and helping to get the network to the final stage of recieveing venture capital; so even in this down economy, if the network quality is there, then the money is also still out there as well. But ultimately, nobody said this was going to be an easy game; and you are well aware, Goliath does beat David in this game so far…

     Overall, in this downtime, it may be good to review the internal strategies on all sides of the industry(s) in increasing the quality levels of both the media assets and services, as well as evaluating existing/potential opportunies to build long-term perspectives and relationships. The economy will rebound at some point, but it is always difficult to rebound from bad decisions made in terms of opportunities and customer service.


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1 comment May 11, 2009

In OOH: Sometimes, Size Does Matter

Via http://failblog.org/ and @eelain212

Via http://failblog.org/ and @eelain212

Love Twitter for several reasons, but especially because you can be made aware of things you might have missed. 

@eelain212 sent me this link that shows how sometimes, the first move is not the best move; and with some creative and humorous copy writing, and understanding the scope of the environment- You can get the edge over the competition.

The “first move” was made by Audi, where the ad copy clearly attacks BMW by stating, “Your move BMW.” BMW responded back very cleverly by buying the billboard space next to Audi’s billboard, creating a much larger one, and placing a simple “Checkmate” copy on it. Very smart.

Size usually does matter in the Out-of-Home / Billboard world to get the eyes, but this is a great example of how the factor of size can directly correlate with the effectiveness of the campaign itself.

2 comments May 6, 2009

Carnival Cruises Sleeping with the Fishes and Digital Out of Home

Ships and cruises have been buying up Digtal Signage and DOOH concepts recently, and perhaps, there has been no better friend to the Out of Home and Digital Out of Home sectors overall than the Carnival Cruises brand these days. AdAge covers one of their newer campaigns that highlights much of what was discussed in the previous post. Using Moblies to create you own fishes (and move them around) on a large digital display install on the street. Watch the video to get the details, but few key things that stuck out was:

1. They are NOT cutting their marketing budgets in this tough time: Smart – the campaigns they run now will help them not only in the short-term, but in the long-term as well. Case in point: P&G during the Depression, as discussed here and Bonita blog.

2. Integration of DS, Mobile and Web: Wont go into the DS, Mobile, Web (as well as Interactivity/Engagement) parts – read the previous post for that. But always like to stress the importance of Integration of media here. 

3. “Fun” always helps to get “Eyes”!: The use of gaming concepts is starting to really take off; tho I find this particular campaign a bit crude. Still, Carnival has been light years ahead of the competition. There should be a lot of ops where mobile, and even, console game concepts and techniques can and will be used in DOOH to create some very good campaigns in the future.

Anyway, a near-perfect video in terms of relevancy with the previous post, and enjoy the fun Friday vid! 


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Add comment April 17, 2009

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